Guitar Treats

Keeping up with the best guitar lessons, contests, stories, and more!

Top 100 Music Blogs for 2013

April 16, 2013 by Jeremy Casey Leave a Comment

The FGV Guitar Blog was named one of the Top 100 Music Blogs to Follow in 2013. You’ll see some of our other favorite blogs on the list like Guitar Noize, I Heart Guitar, and more. Click on the image below to be taken to a page with the full graphic showing all 100 blogs and live links for every site (scroll to the bottom)

An infographic by the team at CouponAudit

The Unbelievable Downtown Vintage Guitars in Las Vegas

May 18, 2011 by Jeremy Casey Leave a Comment

Share My Guitar has a run down on their trip to one of the more unique music stores I’ve ever heard about. Downtown Vintage Guitars (two websites basic info and blog style) is at 1106 S 3RD ST near Charleston Blvd just a few miles from the strip. So what’s so special about this place? Well they have a collection of handmade guitars, consignment guitars, and do repairs and modifications. Still not that different right? Well the consignment guitars happen to be rather high end and feature some interesting autographed guitars. For example this Les Paul signed by Trey Parker of South Park that has drawings of Cartman and Kenny on it. The whole place has a laid back feel of a multimillionaire guitar player’s basement. And to really push the whole thing over the edge, several nights a week they host concerts on the stage in the showroom and open a full bar up. Take a look at SMG’s review and the store websites and by all mean check it out the next time you’re in Vegas.

Special Strings for Dropped Tunings

September 22, 2010 by Jeremy Casey 4 Comments


I Heart Guitar has a review of the new DR guitar strings that are made specifically for dropped tunings. These strings are designed to stay in tune better and produce a clearer sound even when the string is tuned low. Peter notes:

“Tone-wise the DDTs display a slightly reduced treble content compared to most other strings. Far from being a problem or drawback, this makes the DDTs sound even bigger when you’re chugging out at the lower end of the fretboard, and since these strings are specifically designed for downtuning, that’s gotta be a good thing. They also hold up remarkably well in standard tuning, and have a great throaty growl when you really lay into open chords.”

Once you’ve picked up the strings, you’ll need something to play. Try out Jody’s Drop D Metal Licks premium lesson.

Five Thoughts on Guitar Strings

August 19, 2010 by Jeremy Casey 2 Comments

Guitar Player has a helpful article discussing string materials, height, size, durability, and shape. Here’s an excerpt:

HEAVIER STRINGS CAN SOUND BIGGER… BUT NOT ALWAYS: Thicker strings can make you sound bigger, but only if partnered with an appropriate playing style. If you hammer the strings hard to get a lot of movement out of those wires, going up a gauge or two might suite your playing style fine. But if you’re a more delicate player, you might not get those strings moving, and going up a gauge might just choke your tone. Jimi Hendrix is known to have used .009 and .010 sets, and tone monsters Jeff Beck and Jimmy Page both purportedly used super-light sets with .008 high-E strings. Wimps? Ha! SRV used .012 or .013 sets, but also tuned his Strats down a half-step to Eb, which makes a .012 feel more like an .011.

photo by ZuuzuuBabee

Get More from Your Teacher

August 16, 2010 by Jeremy Casey 1 Comment

The Classical Guitar Blog has an interesting post on asking your teacher to tell stories. The concept comes from a business book called Sources of Power. The idea is that

If you ask experts what makes them so good, they are likely to give general answers that do not reveal much. But if you can get them to tell you about tough cases, nonroutine events where their skills made the difference, then you have a pathway into their perspective, into the way they are seeing the world (p. 189).

So how do you apply this to guitar? Chris suggests the following

Ask your teacher what she did the first time she performed. Ask him how he practiced that difficult bit in a piece, even if it’s not a piece you’re working on the lessons in those stories can often be applied to other works. Ask about their early years or playing and what they did to get better during them.

This seems like a great idea to me. Many teachers eventually fall into a rhythm. They are teaching the same things to new students over and over every year. It’s efficient, it’s easy, and it works. But every now and then, you should push them for more so that you get the most for your money. Instead of always asking “how do I”? Challenge your teacher with a “How did you”?

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